# Planning Commission Subdivision (Sub) Committee - August 7, 2025 > Auto-transcribed civic record · Commission · August 7, 2025 - **Permalink**: https://meetings.lexingtonky.news/meeting/6506 - **Source video**: https://lfucg.granicus.com/player/clip/6506?view_id=14&redirect=true - **Date**: 2025-08-07 - **Body**: Commission - **Last revised**: March 1, 2026 - **Length**: 16,634 words > ⚠️ **Auto-generated content.** Audio from the official Granicus video was auto-transcribed by OpenAI Whisper-1, with speaker labels folded in from Granicus closed-captioning. Structured facts were extracted with GPT-4o; the narrative summary was written by Anthropic Claude Sonnet. Speaker labels and verbatim wording may contain errors. See [methodology](https://meetings.lexingtonky.news/about/methodology) or [report a correction](mailto:editor@lexingtonky.news). --- ## Meeting Overview The Planning Commission convened to consider two agenda items related to land development plans. The meeting included one formal vote and featured two agenda items: a development plan for Hillandale and Eastway, which was referred for further action, and the Hamburg Place Development Plan, which was presented as an informational item. No public comments were heard during the meeting. Specific details regarding the meeting date, time, location, and presiding officer are not available in the provided record. ## Votes and Decisions One motion was brought before the Commission during the August 7, 2025 meeting. - **Plan PLN-MJ-DP-2541 – Referral to Full Planning Commission** [timestamp: 36:17]: Commissioner Vernon Roxy moved to refer plan PLN-MJ-DP-2541 to the full planning commission. The motion carried on a voice vote. The referral was made with the two possible waivers and 14 conditions recommended by staff. No second was recorded in the meeting data, and no individual roll call votes were captured. No votes against or abstentions were recorded. ## Contested Items - **Use of Access Easement for Frontage and Lack of Terminus:** A procedural dispute arose during the meeting concerning the design of street access for a development. The disagreement centered on whether the development should be served by a dedicated public street rather than an access easement, and on the implications of the proposed layout not including a terminus. Commissioners raised questions about the appropriateness of relying on an access easement to satisfy frontage requirements and whether the absence of a terminus created concerns related to circulation, emergency access, or conformance with applicable standards. The specific participants in the exchange and the final outcome of this dispute are not detailed in the available record. ## Development Plan for Hillandale and Eastway [timestamp: 03:06] The Commission took up agenda item **PLN-MJ-DP-2541**, a discussion on the development plan for a townhome project at the intersection of Hillandale and Eastway. Key speakers on this item were **Tracy** and **Matt Carter**. The discussion centered on several outstanding issues associated with the proposed development, including: - **Access easement** — questions were raised regarding the terms or adequacy of the easement needed to serve the development - **Terminus waiver** — the plan involves a request for a waiver related to the terminus of a roadway or access point, which required Commission consideration - **Stormwater management** — concerns were discussed around how stormwater would be handled for the site Following the discussion, the item was **referred**, meaning it was not acted upon with a final vote at this meeting and will be directed to another body or returned for further review before a decision is made. *Note: The source data for this item is limited. A more detailed summary of the specific arguments made, positions taken, and conditions discussed would require additional transcript or staff report materials.* ## Hamburg Place Development Plan [timestamp: 37:28] The Commission took up agenda item 25-39, a discussion regarding the Hamburg Place Development Plan. The item centered on a proposal to remove a conditional zoning restriction that currently limits gross buildable area to 532,000 square feet across multiple properties on War Admiral Way, Elkhorn Road, and Gray Lag Way. The discussion was informational in nature, with no vote or formal action taken at this meeting. No specific speakers were identified in the available record for this agenda item. The existing conditional zoning restriction caps the combined gross buildable area for the affected addresses at 532,000 square feet. The proposed change would remove that limitation, potentially allowing for greater development density or flexibility across the Hamburg Place properties along the three named roadways. No additional details regarding specific concerns raised, presentations made, or debate among commissioners were captured in the available record for this item. The outcome was informational, indicating the Commission received the discussion as a preliminary or exploratory matter rather than advancing it to a decision at this meeting. --- ## Decisions - **Motion** — passed (0-0): Referral of plan PLN-MJ-DP-2541 to the full planning commission. --- ## Full transcript Yn ddiweddaraf, mae'r bwysigrwydd yma'n dweud y byddwn yn cael y gwasanaethau ymlaen, ac yn y blynyddoedd y byddwn yn eu cael. Yn y blynyddoedd, mae'n bwysigrwydd y byddwn yn gael y gwasanaethau ymlaen, ac yn y blynyddoedd y byddwn yn eu cael. Yn y blynyddoedd, mae'r ymgynghoriadau yn ymwneud â'r gwasanaethau yma, ac yn y blynyddoedd, mae'n bwysigrwydd y byddwn yn eu cael. Mae'r ymgynghoriadau yma yn ymwneud â'r gwasanaethau yma, ac yn y blynyddoedd, mae'n bwysigrwydd y byddwn yn eu cael. Yn y blynyddoedd, mae'r ymgynghoriadau yma yn ymwneud â'r yeistiadau a'r datgorau s吸au'n gwneud mewn pethau newydd ac yn anrioedd. Rydyn ni'n cael fformat gwahanol i'r adroddiadau staff yn mynd ymlaen, felly mae'n cael eu rhannu i grwpiau o'r pethau nad ydynt wedi'u cyflawni a'r ysgrifennyddau, a'r ysgrifennyddau a allai fod yn anodd, unrhyw adroddiadau dylunio, ac yna os oes cwestiynau nad ydyn nhw wedi'u cyflwyno, ac yna'r ysgrifennyddau. Rydyn ni'n gobeithio bod y cyfrifiadau a'r ysgrifennyddau yn ymgynghori, felly mae'n eithaf fwy. Rydyn ni'n gweithio i gysylltu â phethau sydd yn anodd i'w gysylltu â'r ysgrifennyddau a'r ysgrifennyddau a'r ysgrifennyddau. Diolch am hynny. Rydyn ni'n mynd i ddechrau gyda'r cyntaf. Rydyn ni'n mynd i ddechrau gyda'r cyntaf. Rydyn ni'n mynd i ddechrau gyda'r cyntaf. Rydyn ni'n mynd i ddechrau gyda'r cyntaf. Rydyn ni'n mynd i ddechrau gyda'r cyntaf. Rydyn ni'n mynd i ddechrau gyda'r cyntaf. So, the first plan is PLN-MJ-DP-2541. So, the first plan is PLN-MJ-DP-2541. So, the first plan is PLN-MJ-DP-2541. Here we go. Here's Pasadena. We had done a development over here with townhomes. This is Hillandale and Eastway that are stubbing in. There was a zone change on this piece of property here a little while ago, and so now they're coming in with the final development plan. Hillandale will ultimately cross over and connect into Sunseeker. But today we're presented with this, and the reason we're here is they are using an access easement to be able to access all the townhomes, so that's why we need to have a funding for the use of the access easement. And then they do not have a terminus by the ordinance at the end, and so they're asking for a waiver of the terminus for this property. So that, as you can see, they brought in a revised plan. We were able to clean up a little bit, but we're still looking at, for this plan to move forward, we will need to present to you and ask for the findings and the waiver for the terminus, and I'll have that report for you at the time of the full planning commission. But the technical staff had recommended referral to the full planning commission, and the staff had recommended approval with the conditions that we show. Can I go back to what Tracy was saying in terms of the requirements not met versus the following requirements should be considered? When we're looking at requirements not met, those are basically just cleanup conditions, is that right? Documentation issues. Right, these are things that are required by the ordinance that need to be addressed on the plan. And in the old system, we basically had all of those together in one list, and we split them. Got it. And so we've listed the specific waivers, and then there are questions, and so typically those questions are addressed during technical committee or with you all at the subdivision committee. If they were addressed at tech committee, we would remove them. But many of these either weren't addressed or there might still be a question about it. For instance, there's four questions on here. Identify location of roll card service. Waste management asked that. I think from our perspective, we're still wondering why is there not a dumpster? Because over seven units requires a dumpster as opposed to roll card service. So they need a waiver to even use roll card service. They don't, as far as we know, haven't submitted a name for the street. The urban forester mentioned that they're not preserving the most trees. And then traffic engineering asked them to consider bull bouts at the intersection. But I don't believe any of those were reflected on this plan, or we would have crossed them out. It's easier to talk about the changes in the context of a specific document, so it's making more sense now that I'm working with the subdivision. If I may, let me follow up something. I guess for me the easiest question right now, looking at this, the technical committee recommended referral. I don't see that very often. It doesn't seem like. Well, that was our recommendation to them. Once we identified that there were waivers, it had to come here. So we didn't really want them to recommend approval or disapproval or anything else, just that it moved forward to you all. And we've identified all of the technical issues on the front here that have to be addressed, and the questions. So now they're referring it to you to discuss and potentially make a recommendation, mostly about the waivers, right? That's the focus. So we're reading planning commission there to me, to the subdivision committee, and then to the zoning committee, and then ultimately, if necessary. It won't go to the zoning committee. Just to the full commission after it leaves here. Yes, because of the waiver. So your focus really should be not, even though it's a question about the solid waste thing, they're going to have to work that out with solid waste. So it's not really up to you all whether there's a dumpster or roll carts. It's between the applicant and solid waste. But there are some things that you all should consider, which are the use of an access easement for frontage and the fact that there's no terminus. So I think Cheryl mentioned from the zone change, the density has increased here. Did they have 11 before? And now it's 16. So they are adding more units than what you considered when they first rezoned. And typically, if there's no turnaround, that's the question of like, well, is there not room for it? Why are we not providing a turnaround at the end of a, again, you're asking for frontage. Everything has to have frontage on a street that's required. They're saying, well, we don't want to build a real street. We want to use an access easement. Then we'll take care of it. They'll maintain it. The city won't have to. And then it doesn't, if you approve that, have to be the same width or construction and stuff like that. So those are the things that you all need to think about is, do we think this should be a public street as opposed to an access easement? Is it the right width? Will it have street trees? Is the sidewalk in the right location? Those are the things that they're asking for to waive or change from the standard. And in some other cases we've seen, we've asked that people build them to city standards in the likelihood that at some point the street might be taken over by the city. Is that right? I mean, I've seen some come through with developers. That's definitely for a private street. Private streets. They have to be built to the same standard because of that, because it's a street. An access easement does not have to be, but it could be a condition if we thought that it would ever become a street. And I don't know if David or Vaughn, if you're familiar with, I'm not sure we've, in my tenure, I'm not aware that we've accepted any access easement as a public street. Yeah, I don't think, that's definitely not going to be our intention because it's kind of a backwards way of doing it. You know, it's, yeah. You should have built it as a street. That's what the private streets can become streets, easements cannot. Correct. That's the distinction. Yes. And so then the real question is, is it still meeting the land subdivision regulations? Does it meet what the people living there and visitors, all the people, what they need to access those? Because we're not considering this in the same way that we did before, I would like to ask the question, maybe to you, Vaughn. When we had the hearing on this previously, we had a whole lot of people come down and talk about stormwater problems they had had, had a history of stormwater problems from Southland Drive all the way down to Pasadena. Am I remembering that correctly? Yes, I remember Tom had, Tom lived there, so he had a lot of insight too. Yeah. So I don't know where that fits into this conversation, but I think the people who were in this neighborhood wanted assurances that those, that whatever was happening here was either not going to replicate those kind of stormwater problems or was not going to push things. I don't know if it's upstream. Has that been considered any place in the water quality folks? It looks like on this plan, they're proposing some stormwater management for, specifically for their site, and we would not let them exacerbate anything downstream from this site. There is the statement in the stormwater manual, if there's known flooding conditions, sometimes we can ask for more than just this, but at this time, that's not something we're looking at. Okay. We should keep in mind if this is uphill from a problem, that may not help, right? If we could detain their water, but having extra storage beyond what they need doesn't solve a problem downstream, right? I don't know if it's upstream or downstream, so I don't remember that. I've got a little bit different question. It goes back to Tracy. Yes. More, I guess, more of a process. When you were identifying the questions or concerns and you were talking about row cart service and the number, that number would, you said, would dictate the need for a waiver. Is that, is this something where if they cannot come to terms with waste management, then there'll be a waiver on this? Well, that has a waiver in its own division. So the division of waste management already has a process by which, say you have eight units and seven for cutoff, you can apply and ask for special consideration through waste management for that. It's a waste management thing. It's a vision specific waiver process. Right. So there's already a waiver process available to address that. Don't confuse me with extra waivers. No, that's okay. I think that's a good question. But ultimately, if, I mean, to that question, if they can't make row cart service work, then they're going to need a location for their dumpster on. Right. And so we want them to be thinking about what's that alternative location. And in some cases, we make people put in a dumpster location, even if they want to use private service or, you know, these sort of things, because the fallback is always going to be the public, you know, LFUCG will have to pick up trash if you can't work something out with the private. I mean, they're paying taxes for us to do that. Yeah. So having a dumpster location or whatnot isn't reflected on here because they're hoping to work that out with solid waste. But I hope our designers are thinking, okay, in the alternative, I'm going to have to have this other thing. Okay. I'll be quiet for a second. Okay. I mean, these are good questions. Well, I've got another one. Right. We're learning the new process together. Right. We're learning the new process together and trying to, you know, make sure we're getting there. Can we just take the rest of these planned questions or concerns and roll through those in here? We've talked about the cart service. I'm not worried about the street name. I figured that'll get taken care of. But we've had numbers of issues with street, with trees being removed and including a bulb out. Should, where is that going to get addressed? Where are those two things going to get addressed in the way we're functioning now? I think it's okay to ask, especially at this level, the applicant, you know, those two questions remain of concern. How are you planning to address them? And then they can, they have, I mean, they're going to have to, or work something out with the urban forester, right? They have some extra land on the other side of the new connected street. So they could, you know, plant more trees over there to increase canopy. So there's a, you know, where they have space, they can mitigate the tree loss. A lot of the trees on this property are in the middle. So the urban forester acknowledged that, you know, obviously those would be difficult to keep. But are there ones that, you know, should be kept? He indicated there weren't a lot of significant trees that were good, good specimens. The way this property boundary, this property boundary crossed over Hillandale, across Eastway. And so there was some additional area right here. This little piece here, which is on the other side of Hillandale, is still part of this property. So if they were to do any type of tree mitigation for what trees they're taking down, there's a possibility they could add it to this area here. Which would be a nice little green space too. Yeah, because it is still part of that whole project, that whole piece of property. So, any other questions? There probably will be. We'll let the African up here and let him see if he can answer some of those questions for you. Excellent, thank you. Good morning. Matt Carter, Vision Engineering. I kind of feel like a guinea pig a little bit. I'm not totally sure what things I should talk about. There's a lot on these two sheets, but I guess I'll focus on the waiver first. So, with this project, we're having to build Hillandale ends right here. We're having to build a public street, and it's going to connect it to Sunseeker. There was a lot of discussion at the hearings over this. People didn't want interconnections, and they liked their neighborhoods the way they are. But it's kind of ironic, because when they built their neighborhood, people were probably saying the same thing about it. But there was a master plan to always have these roads connected. And this project is, basically, this is the last piece of the puzzle for this area. And so, we're building that. It'll also connect Eastway. So, a little bit of road here, public. As far as the bull bouts, we're going to work with David on where is best to do that. We kind of feel like closer to Sunseeker on this end is probably the best place. And the bull bouts are just where the road narrows up, kind of like a little island on either side. And the idea is that it'll slow people down. Further up this way, there's just not a lot of room for it, because there's entrances. There's an intersection here. So, really, the only place, once you get past our entrance right here, that's probably the best place. Don't know how well it'll function, because it's kind of at the end of a road. And we can talk about it. It's a consideration, and if it doesn't work out, I know you're all connecting those two streets. Yeah, and I mean, from the owner's standpoint, he's not going to have any issue with putting in one wherever we do. It's basically the same amount of curb for him, and maybe actually a little cheaper. I mean, less pavement, but we'll work with you on that. So, anyway, let's go into our access easement. To the north, the developer did townhomes, and he has basically the same scenario where he's got an access easement going in, and then a turnaround in the middle, which we have an access easement and a turnaround in the middle. He's already selling the townhomes to the north, and he's telling me there's no problems with the way it's laid out. The little turnaround here is designed so that the Lexington fire truck, their ladder truck, can pull just past it, back into it, and then turn around. So, we've run auto-turn, and that'll work. Dumpsters. The reason we don't have a dumpster is when you're doing townhomes, there's two ways to do them. One is to do it as a group, and you just rent them out, or another is to subdivide them into individual lots, and these are going to be sold as single-family residences. They're just attached, and in the past, we've always been able to not have a dumpster if we're subdividing lots, so that's why we don't think it's applicable here. However, we are going to, on this little turnaround, we're going to put a sidewalk area on it where the individuals can bring their carts and store those so that the garbage truck doesn't have to go to each individual townhome and pick them up. So, sure. In comparison to the development that's to the north, are those individually divided and sold as well? And if so, how do they handle the garbage collection? They are individually sold, and I believe they have the same scenario where we stacked them up. We put a little sidewalk down the side so that they could put them on there. So, it's going to operate essentially the same. As far as the construction of the road, the one to the north, it was designed, even though it is private access, it was designed to public standards, not because they wanted to dedicate it, but because they wanted it to be durable and last, because it's HOA that owns it, and it's HOA maintained. And then to the north, the owner opted, instead of doing asphalt, he did a concrete pavement so it will even last longer, and that's what he anticipates doing here as well. But it can never be dedicated to public, and the reason is it doesn't meet a typical section for a public street, whereas a private street usually meets the typical section. There may be some differences, but for the most part, it will meet the typical sections that the city has, and that's why private streets can be dedicated public, you know, if the city will accept them. But we feel like having this private access easement, it works for what it is. There's 16 town room units. It's low, low traffic. Each unit has a two-car garage. There will not be any parking on this road or the access easement, mainly because of the width, so we've agreed to put a sign on it saying no parking, and that's what we did to the north too. With the two-car garage and a wider driveway, there should be plenty of room if you have guests to come to park, and if for some reason, you know, there's no place to park, they can always park on the public street down here, you know, parallel park on the side of it. And they park in the turnaround area as well? I think the plan shows a no parking sign being put in there. Yeah. Yeah. Real quick, I'll go over some of the trees. We did get with the urban forester, and there's quite a few trees on this, but unfortunately, the way they hit, they hit it the worst. A lot of them hit down the middle, and whether it's private or public road, that's where the road needs to go to make this site function. Eric didn't seem to have a lot of heartburn over what we're proposing. One thing he did say is will you show, he said you're not showing any kind of mitigation, you're just showing tree removal, so we've gone back, and I don't know if you can see it on here, but we've added quite a few trees in different spots. There's going to be street. There's going to be street trees on. I can see here on this road, and then it's kind of hard to put the trees in front of each unit, because we did two car garages, driveways, there's not a lot of width left, but instead, the trees are going to be grouped in areas, we're showing like a berm here, but the trees are going to be grouped in areas where we can put them in the homeowners association area. I feel like, and we're going to try to save trees around the perimeter, but out in the middle, it's just really hard to do. Let's see what else. Really, that's all I've got to add. I'll be glad to answer any questions. I feel like a private access easement, this being townhomes, and I think it works. There's townhomes to the north that are almost identical. There's fewer, but it's the same kind of layout. It works there. There's a lot of history of other townhomes in town with private access easements, and it just works, and so we feel like it should be allowed. But, anyway, I'll answer any questions. I'll ask this one because I know you'll get it at the commission hearing. As I recall in the notes, the trees you're adding, you still end up meeting the requirements for canopy coverage. Is that right? We are, and some of the ones we're adding are to meet that requirement. But, yes, we're definitely going to meet the, what we have shown here meets it. And I will say the owner for this is a big landscape guy. I mean, he enjoys it. The one to the north, he's added gardens. He really gets into the landscaping. Matt, looking at that, it looks like down on the property line there's several trees that you're leaving or recognizing. Yeah, those are ones we feel like we ought to be able to keep, so they're protected. Okay. Looking at a GPS map. And there's to the north, too, between there's saying, I mean, he's going to save every tree he can. The second question would be access easement. I haven't heard the width of the access easement yet. Is there a way to bring up the development plan? Or bring up the full development plan? I've got a copy. I can. Okay. Just. Yeah, it's 27 feet. Back to back a curb to back a curb. So 27 feet. And it's roll curbs. And then from what has been said, there's no parking on it. No. Okay. And that was agreed with the fire department that we would. That's where I was going to go next. Just to clarify with them. Yeah. The width is okay. And I guess the question about the terminus or lack of a terminus or the way that's, you know. Can your fire trucks get in and out and turn around? They can, yes. They pull back. Oh, okay. Yeah. Okay. Okay. Okay. Thank you. The other thing I would say about. So 27 does meet a local street, but the sidewalks are up next to the curb. As opposed to. No utilities. There's no utility strip. So that would be different. Okay. And the other thing about parking on. An access easement like this with a two car garage. And the width of those units, there's really not space. I mean, do you have 20 feet between the two? Even when you pair a driveway. Is there 20 feet between the next set of driveways? Yeah. So. Yeah. There's probably not even room to park between the two driveways. Right. Versus a 60 foot lot has, you know, more than enough room to park a couple of cars. So. I have seen strange things occur, but I understand what you're saying. Okay. I'm good. Any other questions for the applicant? Since we're learning on this one. So given what you all said in terms of the overall. Hard space versus green space. We're still meeting the, all the green space. And open space requirements here. They're less than 25 units. So I don't think it triggers the. I don't think it triggers the. Common open space requirements. Yeah. Okay. I've seen some of the yards out. Yeah. Yeah. I've seen some of the yards that are a lot narrows closer to the street that those units have very small rear yards, but they do get a little bit larger. You know, as you get closer to the turnaround spot. Yeah. So even where the patio extends into the yard, it has to be. To meet our ordinance. It can't be covered. It can be a patio. It can be a concrete patio in the rear yard. But it can't, nothing can extend above the ground level. Right. It can't be a deck. It can't be. There's no canopy coming out. Unless again, the unit nearest unit 11, their nearest. The turnaround has enough room in the back. To be able to cover. But the ones that extend the patios again, as you get closer to the public street. That extend over that rear yard line. They cannot be covered. They infringe into the rear yard at that point. None of what he's built so far is covered. Right. These are going to, they're the same. They're a little bit bigger footprint than the ones you built, but they're going to look the same. And so there. There shouldn't be. Any covered. Yeah, usually that comes up after they're sold. When, you know, the new owner says, oh, wouldn't it be nice if I. Could have some more shade. Over my patio. And in some cases they will be able to get a permit for that. And then, but in most cases. I'm thinking the opposite, you know, this book that I mentioned in work session called shade. It's a history of construction shade going all the way back to the Mesopotamians. I'd rather hear that they've covered and created shade rather than they just got concrete out there with. Sun reflecting off of it and creating heat. That's. You know, it's a give one hand take with the other. Okay. Any other questions? We have any public comment. Okay. All right. Does it look like it? All right. We're back to committee. So. Yeah, let me, let me try this. I don't mind saying this next week either. What. We're in a learning curve here. And what I've heard as far as. You know, what's going to happen in the next couple of weeks. I think things are being addressed. However. My thoughts right now. I could see this. I'll put it this way. I could see this being. In a normal situation, approvable. However. With our learning curve, my learning curve. I would feel more comfortable. Having a motion. And my motion would be. Just simple referral to the full planning commission. To let everyone see this and digest this. Next week. So. My motion would be to refer this to the full planning commission. Which would be for plan 25 dash 41. Vernon Roxy. I have room with the two possible waivers and. I guess with the 14. Conditions recommended by staff. So. We have a motion in a second to refer this to the plan commission. Any questions. Yeah, sure. Any reasons to include the. Plan questions or concerns in the motion. No. Okay. Okay. All right. Okay. Any other questions? If not, all in favor. Referral to the planning commission. All right. All right. We're gonna move on to. 25 dash 39 Hamburg place. B5P B6P highway commercial area. Okay. So this is a plan. With multiple addresses on war admiral way. Elkhorn road and gray lag way. The purpose of this plan is to depict the removal of conditional zoning restriction limitation of. 532,000 square feet of gross buildable area. And the applicant did. Submit a revised plan on August 5th. So you do have revised conditions in your. So this is located. This is I 75 to plan north and Winchester road. And then this is Sir Barton way. This is the Walmart and the lows. Sportsman's warehouse, Hobby Lobby. The. The lots in question on this. Plan are out lot five and out lot six, which are located. Here. And then here across from lows. And they're depicted as such. Showing conceptual. They're showing a conceptual retail office building on out lot six. With parking. The requirements not met. They did do quite a bit of cleanup items. We do have a small numbering issue. I missed that in our review. What shows up is number seven under the requirements, not met. We'll call that. Number eight, if that's okay. Depict the interior landscape areas on out lots five and six. And the number one provide dumpster enclosure information, denote location for lot six. There's no dumpster shown on lot six. Number two label center line of blue line stream present in the greenway. Number three, denote no buildings or structures shall be located on any land with a slope greater than 30% for areas with slopes between 15% and 30%. The provisions of articles six dash 11 of the land subdivision regulation shall be applicable. Number four, provide tree inventory map and tree preservation plan exhibit. Number five, ensure out lot six will meet requirements of the zoning ordinance article 18. Number six, addition of internal pedestrian walkways in compliance with the zoning ordinance. And number seven, to see the Acela notes provided by the division of engineering. No waivers requested at this time. The design considerations when placing fill on current sanitary sewer line, make sure the new or be sure the new design criteria is followed for the correct pipe material to be used for the new depth and easement encroachment pipe protection is followed. And then number eight, ensure plan questions or concerns discussed changes in lot sizes and overall total acreage in the site statistics from previous development plan. And then the TRC recommended approval subject to the following conditions provided the urban County council approves the removal of the conditional zoning restrictions. Engineering traffic, engineering urban forest or green space department of environmental qualities, approval of environmentally sensitive areas and correct all noted deficiencies listed as required. That I'll open it up to you all for discussion. Just clarification. When you started this, you said they'd submitted a revised plan that address the gross area, square footage. Did I understand that correctly? The square footage. I don't know what you said. Okay. I'm sorry. I should have let out with it. This is in conjunction with a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a. So the Um, also also also also also also also also almost It's It's the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the there the the oh yeah hospital the the the the the the the the the the the food the the the the the the the the the the the the the the the the hi the the the the the the the the the the the the the the the good the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the spring I need you, I need you Like the winter meets the spring, you know I need you Guess I'll start it all again, you know I need you I need you, I need you Hello, yeah, it's been a while Not much, how about you? I'm not sure why I called I guess I really just wanted to talk to you And I was thinking maybe later on We could get together for a while It's been such a long time And I really do miss your smile I'm not talking about moving in And I don't want to change your life But there's a warm wind blowing the stars around And I'd really love to see you tonight We could go walking through Windy Park Take a drive along the beach Or stay at home and watch TV You see, it really doesn't matter much to me I'm not talking about moving in And I don't want to change your life But there's a warm wind blowing the stars around And I'd really love to see you tonight I won't ask for promises So you don't have to lie Because when that came before Say I love you, then say goodbye I'm not talking about moving in And I don't want to change your life But there's a warm wind blowing the stars around And I'd really love to see you tonight I'm not talking about moving in And I don't want to change your life But there's a warm wind blowing the stars around And I'd really love to see you tonight I'm not talking about moving in And I don't want to change your life But there's a warm wind blowing the stars around I'm not talking about moving in And I don't want to change your life If you leave me now You'll take away the biggest part of me Ooh, no, baby, please don't go And if you leave me now You'll take away the very heart of me Ooh, no, baby, please don't go Ooh, girl, I just want you to stay Love like ours is love that's hard to find How could we let this live forever? We've come too far to leave it all behind How could we end it all this way? But your mouth won't close if we both keep playing The things we said today Ooh, no, baby, please don't go Love like ours is love that's hard to find How could we let it slip away? We've come too far to leave it all behind How could we end it all this way? But your mouth won't close if we both keep playing The things we said today If you leave me now You'll take away the biggest part of me Ooh, no, baby, please don't go Ooh, girl, I just got to have you by my side Ooh, no, baby, please don't go Ooh, girl, I just got to have you by my side Ooh, mama, I just got to have you by my side Feels so good, you're lying here next to me A whole way to grow old You have no idea how it feels My hands just won't keep still I love you, baby Oh, I love you, I love you, I love you Just wanna hold you Spread my fingers through your hair Out of sight I have right there, you like it like that Closer, come here closer, closer Oh, baby Oh, baby Give it up Ain't no use I can't help myself if I wanted to I'm hung up No doubt I'm so in love with you For me, there ain't no way I could call Deeper and deeper In love with you, I'm falling Sweeter and sweeter Your tender words of love keep calling Eager and eager, yeah To see you lift up on my face Pleaser and pleaser Anytime or anyplace I'm gonna love you, love you, love you Cause I'm in love with you I'm gonna need you, need you, need you Every day, yeah I'm gonna want you, want you, want you In every way, yeah Let's take a bow Far Hold back No way This time it looks like love is here to stay As long As I shall live I'll give you all I have And all I have to give Pleaser and pleaser Anytime or anyplace Eager, eager To feel your sweet lips on my face Deeper and deeper In love with you, I'm falling, yeah Sweeter and sweeter Your tender words of love keep calling I'm gonna love you, love you, love you Cause I'm in love with you I'm gonna need you, need you, need you Every day I'm gonna want you, want you, want you In every way In every way She tries for the honesty But the truth gets in the way Cause I know inside What she can't bring herself to say There's something dying deep in her heart I feel it when I touch her hand So I tell her a lie When I tell her I understand But inside I die a little each day Inside I feel her slipping away Inside If she knew I hurt this way Inside She'd find a reason to stay And so I must keep This broken heart down deep inside She turns to look at me Trying to speak her mind A thousand reasons In search of a single rhyme And suddenly it occurs to me She's trying to say goodbye So I give her a smile And tell her that I'll be alright Ooh But inside I die a little each day Inside I feel her slipping away Inside If she knew I hurt this way Inside She'd find a reason to stay And so I must keep This broken heart down deep inside Sometimes love will slip away It's hard to say just why Is it something that's said Or is it instead Something that just simply dies Inside Inside Inside If she knew I hurt this way Inside She'd find a reason to stay And so I must keep This broken heart down deep inside www.youtube.com or www.facebook.com or www.youtube.com or www.instagram.com Inside Inside Inside Well, I've been waiting, waiting here so long But thinking nothing, nothing could go wrong But now I know, she has the building ability To take everything she sees And now it seems I'm falling, falling for her She sees the hat at the busy bar of Top Chef She reaches in and grabs my pot of your heart She sees the hat at the busy bar of Top Chef It takes control and slowly tears you apart Well, I don't really know her, I only know her name But she crawls under your skin, you never quite say And now I know, she's got something you just can't trust And it's something mysterious And now it seems I'm falling, falling for her She sees the hat at the busy bar of Top Chef She reaches in and grabs my pot of your heart She sees the hat at the busy bar of Top Chef It takes control and slowly tears you apart She sees the hat at the busy bar of Top Chef She reaches in and grabs my pot of your heart She sees the hat at the busy bar of Top Chef It takes control and slowly tears you apart Well, she don't like losing to her ex-husband And though she will mess up your life, you want her just the same And now I know, she has the building ability To take everything she sees And now it seems I'm falling, falling for her She sees the hat at the busy bar of Top Chef She reaches in and grabs my pot of your heart She sees the hat at the busy bar of Top Chef It takes control and slowly tears you apart She sees the hat at the busy bar of Top Chef She sees the hat at the busy bar of Top Chef She sees the hat at the busy bar of Top Chef She sees the hat at the busy bar of Top Chef She sees the hat at the busy bar of Top Chef She sees the hat at the busy bar of Top Chef She sees the hat at the busy bar of... Top Chef My heart starts breaking When I think of making a plan To let you go I keep thinking Maybe tomorrow I'm gonna let you know But when I think about leaving I think about losing The only love I ever knew Every time I think of you My heart starts aching My hands keep shaking And you know, you know, you know It would take a strong, strong man To ever let you go My heart's been hurting When I see you flirting Every night out on the floor I keep thinking Maybe tomorrow You'll grow to love me more But whenever we're together I could leave you never Even though you treat me cruel Every time I look at you My heart starts aching My hands keep shaking And you know, you know, you know It would take a strong, strong man To ever let you go I try to resist you When you're gone But all I ever do is miss you Anyone in love would know Anyone with half a heart Could never let you go But when I think about leaving I think about losing The only girl I ever loved Can't you tell me why Do you hurt me I guess some people Just don't know how to love But when I think about leaving I think about losing I guess some people never see Especially a fool like me My heart starts aching My hands keep shaking And you know, you know, you know It would take a strong, strong man To ever let you go To ever let you go I'll never let you go To ever let you go To ever let you go To ever let you go To ever let you go To ever let you go To ever let you go It's funny how I find myself in love with you If I could find my reason in a picture One half won't do I ask myself, how much do you love me? Commit yourself Oh, it's my life Don't you forget It's my life It never ends It's funny how I blind myself, I never knew If I was sometimes played upon, afraid to lose I tell myself, what good do you do? Convince myself Oh, it's my life Don't you forget It's my life It never ends And I ask myself, how much do you love me? Commit yourself Oh, it's my life Don't you forget Caught in the crowd It never ends Oh, it's my life Don't you forget Caught in the crowd It never ends Oh, it's my life Don't you forget Caught in the crowd It never ends It never ends This one-way love affair ain't fair, it ain't no affair to me It's all give and take and you just take, I can't take it, you see Well, I'm giving up on love this time, me and my friends, we'll do just fine I've done everything for you, you've done nothing for me I've done everything for you, you've done nothing for me Yeah, someday I'd have a whole lot of money, I'd be a millionaire But when that didn't happen overnight, I found out how much you really cared Well, all you want is a whole lot of money, all the rest is just jive and honey I've done everything for you, you've done nothing for me I've done everything for you, you've done nothing for me When I first met you, you didn't know how to love a man All those things about making love, you didn't understand But now you know about everything, I'm turning you in for marriage I've done everything for you, you've done nothing for me I've done everything for you, you've done nothing for me I've done everything for you, you've done nothing for me I've done everything for you, you've done nothing for me I'm going out on the town tonight and get as wild as I can be I'm going to find out what it's really like to be loose, high and free I don't care what the people say, I'm taking my mind, I'm changing the state I've done everything for you, you've done nothing for me I've done everything for you, you've done nothing for me You've done nothing for me You've done nothing, you've done nothing, you've done nothing for me Do, do, do, do, do, do, do, do, do Do, do, do, do, do, do, do, do, do Jesus is just alright with me Jesus is just alright, oh yeah Jesus is just alright with me Jesus is just alright I don't care what they may say I don't care what they may do I don't care what they may say Jesus is just alright Do, do, do, do, do, do, do, do Do, do, do, do, do, do, do, do Jesus is just alright with me Jesus is just alright, oh yeah Jesus is just alright with me Jesus is just alright, oh yeah Jesus is just alright with me Jesus is just alright, oh yeah Jesus, He's my friend Jesus, He's my friend He took me by the hand He led me far from this land In Jesus, He's my friend Jesus is just alright with me Jesus is just alright, oh yeah Jesus is just alright with me Jesus is just alright I don't care what they may say I don't care what they may do I don't care what they may say Jesus is just alright, oh yeah Jesus is just alright with me Jesus, Jesus, Jesus I can almost remember the bloody places That time you told him that you were gonna be marrying soon And yet, I thought the only lonely place was on the moon Was your father as bold as a sergeant major How come he told you that you were hardly old enough yet And yet, I thought the major was a lady Yeah, ooh, ooh, ooh I made time, want you to always love me I made time, want you to always love me I made time, much later Yeah, ooh, ooh, ooh Yeah, ooh, ooh, ooh And yet, I thought the major was a lady Yeah, ooh, ooh, ooh Yeah, ooh, ooh, ooh I made time, want you to always love me I made time, want you to always love me I made time, much later Jesus, Jesus, Jesus And yet, with the wind in your hair of a thousand faces Climb on back and we'll go for a ride in the sky And yet, I thought that the major was a lady Yeah, ooh, ooh, ooh Yeah, ooh, ooh, ooh And yet, you know I thought you was a little lady Yeah, ooh, ooh, ooh A little lady My little lady, yeah Oh! . . . Deep down in Louisiana close to New Orleans Way back up in the woods among the evergreens There stood a log cabin made of earth and wood Where lived a country boy named Johnny B. Goode Who never ever learned to read or write so well But he could play a guitar just like a ring and a bell Go, go, go, Johnny, go, go Go, Johnny, go, go Go, Johnny, go, go Go, Johnny, go, go Johnny B. Goode He used to carry his guitar in a gunny sack Or sit beneath a tree by the railroad track He used to challenge and everything flipping in the shade Strumming with the rhythm that the drivers made When people passing by they would stop and say Oh my, what's that little country boy could play Go, go, go, Johnny, go, go Go, Johnny, go, go Go, Johnny, go, go Go, Johnny, go, go Johnny B. Goode Hey, hey, hey, hey, hey Hey, hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey, hey Hey, hey, hey, hey, hey Hey, hey, hey, hey, hey Hey, hey, hey, hey, hey His mother told him someday you will be a man And you will be the leader of a big old band Many people coming from miles around To hear you play your music when the sun go down Maybe someday your name will be in light Saying Johnny be good tonight Go, go, go Johnny, go Go, go, go Johnny, go Go, go, go Johnny, go Go, go, go Johnny, go Go Johnny be good Hey girl, what you doing down there Dancing alone every night while I live right above you I can hear your music play I can feel your body sway One floor below me you don't even know me I love you Oh my darling Knock three times on the ceiling if you want me Mm-hmm Twice on the pipe If the answer is no Oh my sweetness Means you'll meet me in the hallway Whoa Twice on the pipe Means you ain't gonna show If you look out your window tonight Pulling the string with the note that's attached to my heart Read how many times I saw you How in my silence I adored you And only in my dreams did that wall between us come apart Oh my darling Knock three times on the ceiling if you want me Mm-hmm Twice on the pipe If the answer is no Oh my sweetness Means you'll meet me in the hallway Whoa Twice on the pipe Means you ain't gonna show Whoa I can hear the music playing I can feel your body swaying One floor below me you don't even know me I love you Oh my darling Knock three times on the ceiling if you want me Whoa Twice on the pipe If the answer is no I love you, I love you, I love you Oh my sweetness Means you'll meet me in the hallway Mm-hmm Twice on the pipe Means you ain't gonna show Oh my darling Knock three times on the ceiling if you want me Mm-hmm Twice on the pipe Means you'll meet me in the hallway Whoa I can hear the music playing I can feel your body swaying One floor below me you don't even know me I love you Oh my darling Knock three times on the ceiling if you want me Mm-hmm Twice on the pipe Means you'll meet me in the hallway Whoa Never ever Walking through an empty house Tears in my eyes Here is where the story ends This is goodbye Knowing me, knowing you Aha There is nothing we can do Knowing me, knowing you Aha We just have to face it This time we do This time we do We really do Breaking up is never easy I know what I have to do Oh my darling This time I know Knowing me, knowing you It's the best I can do Memories Memories Good days Bad days There'll be There'll be With me Always In this old familiar rooms Children would play Now there's only emptiness Nothing to say Knowing me, knowing you Aha There is nothing we can do Knowing me, knowing you Aha We just have to face it This time we do This time we do We really do Breaking up is never easy I know what I have to do Oh my darling This time I know Knowing me, knowing you It's the best I can do Instrumental Knowing me, knowing you Aha There is nothing we can do Knowing me, knowing you Aha We just have to face it This time we do This time we do We really do Breaking up is never easy I know what I have to do Oh my darling This time I know Knowing me, knowing you It's the best I can do Instrumental Instrumental Lady I'm your knight in shining armor And I love you You have made me what I am And I am yours Instrumental My love There's so many ways I want to say I love you Let me hold you in my arms For evermore Instrumental You have gone And made me such a fool I'm so lost in your love And oh We belong together Won't you believe in my song Lady For so many years I thought I'd never find you You have come into my life And made me whole Instrumental Forever Let me wait to see you each and every morning Let me hear you whisper softly In my ear In my eyes I see no one else but you There's no other love like our love And yes Oh yes, I'll always want you near me I've waited for you for so long Lady Your love's the only love I need And beside me Is where I want you to be Cause my love There's something I want you to know You're the love of my life You're my lady Instrumental Instrumental Take the last train to Clarksville And I'll meet you at the station You can be here by 4.30 Cause I've made your reservation Don't be slow No, no, no, no No, no, no, no Cause I'm leaving in the morning And I must see you again We'll have one more night together Till the morning brings my train and I must go I'm gonna go I'm not gonna know And I don't know if I'm ever coming home Take the last train to Clarksville I'll be waiting at the station I'll try to call you for little kisses And a guitar conversation No, no, no, no No, no, no, no Instrumental Take the last train to Clarksville And I must hang up the phone I can't hear you in this noisy railroad station I'm alright feeling low No, no, no, no No, no, no, no And I don't know if I'm ever coming home Instrumental Take the last train to Clarksville And I'll meet you at the station You can be here by 4.30 Cause I've made your reservation Don't be slow I'm gonna go I'm not gonna know And I don't know if I'm ever coming home Take the last train to Clarksville Take the last train to Clarksville Take the last train to Clarksville Take the last train to Clarksville Take the last train to Clarksville There ain't no good in our good-byin' True love takes a lot of tryin' Oh, I'm cryin' Instrumental Let's hang on to what we've got So let's go girl, we've got a lot We've got a lot of love between us Hang on, hang on, hang on To what we've got To what we've got To what we've got You say you're gonna go and call it quits Gonna chuck it all and break on up And then break it up I wish you'd never said Break it up Oh, no, we won't regret it Put that little trippin' diamond on your head Ain't a fortune, baby, but you know it stands For the love, such a love No people can leave behind us Baby, don't you know, baby Don't you know So take it over and say Let's hang on to what we've got So let's go girl, we've got a lot We've got a lot of love between us Hang on, hang on, hang on To what we've got To what we've got To what we've got There isn't anything I wouldn't do I'd pay any price to get good with you Patch it up Give me a second chance Patch it up Oh, oh, oh, oh You got me crying down at your door Don't shut me out or let me in anymore Open up Open up Baby, don't you know, baby Don't you know So take it over and say Let's hang on to what we've got So let's go girl, we've got a lot We've got a lot of love between us Hang on, hang on, hang on Let's hang on to what we've got So let's go girl, we've got a lot We've got a lot of love between us Hang on, hang on, hang on Let's hang on to what we've got So let's go girl, we've got a lot We've got a lot of love between us Leave on this war wound like a crown He calls his child Jesus Cause he likes the name And he sends him to the finest school in town Leave on, leave on likes his money He makes a lot they say Spends his days counting In the garage by the motorway He was born a pauper to a pawn on a Christmas day When the New York Times said God is dead And the war's begun Alvin Tostig held the sun today And he shall be leave on And he shall be a good man And he shall be leave on And tradition will prevail And he shall be leave on And he shall be a good man He shall be leave on Leave on sells cartoon balloons in town His family business thrives Jesus blows up balloons all day Sits on the porch swing watching them fly And Jesus, he wants to go to Venus Leave leave on far behind Take off the lube and go sailing While leave on, leave on slowly dies He was born a pauper to a pawn on a Christmas day When the New York Times said God is dead And the war's begun Alvin Tostig held the sun today And he shall be leave on And he shall be a good man And he shall be leave on And tradition will prevail And he shall be leave on And he shall be a good man He shall be leave on And he shall be leave on And he shall be a good man And he shall be leave on And he shall be leave on And he shall be a good man He shall be leave on And he shall be leave on And he shall be a good man He shall be leave on And he shall be a good man He shall be leave on And he shall be a good man And he shall be leave on And he shall be a good man He shall be leave on And he shall be a good man Honey, they're bringing out a TV crew They wanna do a story about me and you They'll be stringing up bright lights in the backyard There'll be cameras on the shoulders, we'll be reading cue cards Leave them long johns on the line If the kids look dirty, that'll be just fine They're gonna put us on lifestyles of the not-so-rich and famous They wanna see us go hog-wild over beans and barbecue They wanna see my fair lane up on blocks With holes in all our socks Talking about lifestyles of the not-so-rich and famous Tell them about your mama and the bowling league Tell them about Junior and his baseball team I'll show them my nine-point buck on the wall I'll blow a few times on my new duck call Let them see old Blue how he sleeps all day We'll bring out the Elvis TV tray They're gonna put us on lifestyles of the not-so-rich and famous They wanna see us go hog-wild over beans and barbecue They wanna see my fair lane up on blocks With holes in all our socks Talking about lifestyles of the not-so-rich and famous Yeah, our idea of high-class living Sitting on the porch on a cool night Our champagne and caviar Is an RC Cola and a moon pie I'm talking about lifestyles of the not-so-rich and famous Lifestyles of the not-so-rich and famous You know that it would be untrue You know that I would be a liar If I was to say to you Girl, we couldn't get much higher Come on, let's go Come on, let's go Come on, let's go Come on, let's go Come on, baby, light my fire Come on, baby, light my fire Try to set the night on fire The time to hesitate is through The time to wallow in the mire Try now, we can only lose And our love become a funeral pyre Come on, baby, light my fire Come on, baby, light my fire Try to set the night on fire The time to hesitate is through The time to wallow in the mire Try now, we can only lose And our love become a funeral pyre Come on, baby, light my fire Try now, we can only lose And our love become a funeral pyre Come on, baby, light my fire Try now, we can only lose And our love become a funeral pyre Come on, baby, light my fire Try now, we can only lose And our love become a funeral pyre Come on, baby, light my fire © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATTCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH 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BF-WATCH TV 2021 © BF-WATCH TV 2021 © BF-WATCH TV 2021 sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi sci-fi I've got sunshine on a cloudy day When it's cold outside, I've got the month of May I guess you've said what can make me feel this way My girl, my girl, my girl, talking about my girl, my girl I've got so much honey, the bees envy me I've got a sweeter song than the birds in the trees Well, I guess you've said what can make me feel this way My girl, my girl, my girl, talking about my girl, my girl Ooh, ooh Hey, hey, hey Hey, hey, hey Ooh, ooh, yeah I don't need no money, fortune, or fame I've got all the riches, baby, one man can claim Well, I guess you've said what can make me feel this way My girl, my girl, my girl, talking about my girl, my girl I've got sunshine on a cloudy day with my girl I've even got the month of May with my girl Talking about, talking about, talking about my girl Ooh, ooh, my girl That's all I gotta talk about is my girl I was a little too tall, could have used a few pounds Tight pants, points, all the renown She was a black-haired beauty with big dark eyes And points all her own, sitting way up high Way up firm and high I passed the cornfields when the winds got heavy Out in the backseat of my 60 Chevy Working on mysteries without any clues Working on our night moves Trying to make some front-page driving news Working on our night moves In the summertime In the sweet summertime We were in love, oh, no, far from it We were searching for some kind of sky sun We were just young and restless and bored Living by the sword And we steal away every chance we get We steal away every chance we could From the bathroom to the alley or the trusty woods I used her, she used me, but neither one cared We were getting our share Working on our night moves Trying to lose her awkward teenage blues Working on our night moves In the summertime In the sweet summertime I felt the wonder I felt the lightning Yeah, waited on the thunder Waited on the thunder I woke last night to the sound of thunder How far off I sat and wondered Started humming a song from 1962 Ain't it funny how the night moves When you just don't seem to have as much to lose Strange how the night moves With autumn closing in Mm, mm, mm, night moves Mm, mm, mm, night moves Oh, night moves Oh, yeah Yeah Oh, sure remember the night moves Ain't it funny how you remember How you remember I remember, I remember, I remember, I remember Oh, oh, oh Oh, waking, waking and practicing Waking and practicing Oh, the night moves, night moves Oh, I remember I remember Yeah, yeah, yeah, I remember Oh, I remember Lord, I remember Lord, I remember Oh, oh Oh, oh Oh, yeah, yeah, yeah Uh-huh, uh-huh I remember, I remember I remember I used to be such a sweet, sweet thing Till they got a hold of me I opened doors for little old ladies I helped the blind to see I got no friends cause they read the papers They can't be seen With me, and I'm getting real shot down And I'm feeling mean No more Mr. Nice Guy No more Mr. Clean No more Mr. Nice Guy They say he's sick, he's obscene I got no friends cause they read the papers They can't be seen With me, and I'm feeling real shot down And I'm, I'm getting mean No more Mr. Nice Guy No more Mr. Clean No more Mr. Nice Guy No more Mr. Clean No more Mr. Nice Guy They say he's sick, he's obscene My dog bit me on the left today My cat clawed my eyes Mom's been thrown out of the social circle And Dad has to hide I went to church incognito When everybody rose The Reverend Smithy, he recognized me And put me in a noose He said no more Mr. Nice Guy No more Mr. Clean No more Mr. Nice Guy He said you're sick, you're obscene No more Mr. Nice Guy No more Mr. Clean No more Mr. Nice Guy He said you're sick, you're obscene Up until now I've learned to live I've learned to live I've learned to live There's no need to hide I've learned to live There's no need to hide I've learned to live without love Like a ship without a sail Wandering aimlessly lost I never knew how it felt To lose my control But now that I've found you This is all so new You and me We've got a destiny Starting tonight We'll be together You and me This is what love should be And it's gonna be right Now and forever Ooh, ooh, ooh Darling, inside your eyes I can see mysteries there She gets more and more And you're melting the ice Surrounding me I'm no longer scared She gets more and more I feel you inside my soul And I'm captured tonight But don't let go This is paradise You and me We've got a destiny Starting tonight We'll be together You and me This is what love should be And it's gonna be right If you tell me There's a heaven I've found Then that's what I believe Cause you're the one thing That I'm so sure of Ooh, ooh, ooh I feel you inside my soul And I'm captured tonight But don't let go This is paradise You and me We've got a destiny Starting tonight We'll be together You and me This is what love should be And it's gonna be right Now and forever You and me We've got a destiny Starting tonight We'll be together You and me This is what love should be And it's gonna be right Starting tonight Ooh, ooh, ooh Ooh, ooh, ooh Old days Good times I remember Fun days Filled with simple pleasures Driving movies Comic books and movies How do you do that? Baseball cards and movies Take me back To a world gone away Memories Seem like yesterday Oh, oh, oh, oh, oh Oh, old days Good times I remember Old days Days are always treasures Funny places Full of love and laughter Funny places Summer nights and streetcars Take me back To a world gone away Boy, good memories Seem like yesterday Old days Memories In my heart still Old days Locking rings at the future's door Old days Memories of love and pain Old days Memories of magic still Old days Memories of love and pain Old days Locking rings at the future's door Old days Memories of love and pain Old days Memories of magic still Follow me Don't follow me I've got my spine I've got my orange crush Follow me Don't follow me I've got my spine I've got my orange crush We are agents of the free I've had my fun And now I'm free I've had my fun And now it's time to serve Your conscience overseas Coming in fast Over me Ah, ah, ah Follow me Don't follow me I've got my spine I've got my orange crush Follow me Don't follow me I've got my spine I've got my orange crush We are agents of the free I've had my fun And now it's time to serve Your conscience overseas Coming in fast Over me Ah, ah, ah Follow me Don't follow me I've had my fun And now it's time to serve Your conscience overseas Coming in fast Over me Ah, ah, ah Follow me Don't follow me I've had my fun And now it's time to serve Your conscience overseas Coming in fast Over me Ah, ah, ah Follow me Don't follow me I've got my spine I've got my orange crush Follow me Don't follow me I've got my spine I've got my orange crush We are agents of the free I've had my fun And now it's time to serve Your conscience overseas Coming in fast Over me Ah, ah, ah Follow me Don't follow me I've had my fun And now it's time to serve Your conscience overseas Coming in fast Over me Ah, ah, ah Follow me Don't follow me I've had my fun And now it's time to serve Your conscience overseas Ah, ah, ah Move yourself You always live your life Never thinking of the future Prove yourself You are the move you make Take the chances win or lose them See yourself You are the step you take You and you and that's the only way Shake, shake yourself You're every move you make So the story goes Owner of a lonely heart Owner of a lonely heart Owner of a broken heart Owner of a lonely heart Say you don't want to judge it You've been hurt so before Watch it now Me in the sky I'll be dancing one and only You lose yourself No, not for pity's sake There's no real reason to be lonely Be yourself Give your free will a chance You've got to want to succeed Owner of a lonely heart Owner of a lonely heart Owner of a broken heart Owner of a lonely heart Owner of a lonely heart My own indecision Is how I'm made This is how I'm done In the end you've got to go Live before you leave Don't hesitate at all No, no My own indecision Is how I'm made This is how I'm done In the end you've got to go Live before you leave Don't hesitate at all No, no My own indecision Is how I'm done In the end you've got to go Live before you leave Don't hesitate at all No, no My own indecision Is how I'm done Owner of a lonely heart Owner of a lonely heart Owner of a broken heart Owner of a lonely heart Owner of a broken heart Owner of a lonely heart Owner of a broken heart Owner of a lonely heart Owner of a broken heart Owner of a lonely heart I'm gonna call up some of my buddies And a few of the ladies I know I'm gonna rent a hall And get them all And put on a heck of a show Make sure we got a kitchen With an oven and a stove We'll all get in there cookin' Then we'll throw open all the doors Playin' with my friends Playin' with my friends Playin' with my friends We'll have a good time Playin' with my friends I'm gonna buy a hundred pounds Of catfish Cook it all up on the grill Make some beans and corn bread Everybody's gonna get their fill And we'll grab all the guitar Greasy hands and all Some wanna count on the shuffle And man will have a ball Playin' with my friends Playin' with my friends Playin' with my friends We'll have a good time Playin' with my friends We'll have a good time Yeah we're gonna buy The best that money can buy You gotta drink it all From a paper cup That's just your side of the knife That's right Everybody's gonna stand up Play their favorite tune You can pick any tune you want to As long as it's in the blues Playin' with my friends Playin' with my friends Playin' with my friends Playin' with my friends Playin' with my friends We'll have a good time Playin' with my friends Playing with my friends Playing with my friends We'll have a good time Playin' with my friends We'll have a good time Playin' with my friends We'll have a good time Playin' with my friends We'll have a good time Playin' with my friends We'll have a good time Playin' with my friends We'll have a good time We'll have a good time I heard the men saying something You're captive still, they play you well And they say they need a sailing man To show the way and leave the day Was it you that said, Pala! Pala! They say the sea turns so dark That you know it's time you see the sign They say the point demons guard is an ocean grave For all the brave Was it you that said, Pala! Pala! Pala! To the point of no return Instrumental Your father, He said he needs you Your mother, She said she loves you Your brothers, They all tell you what hurts How far To the point of no return To the point of no return Pala! Pala! Today I found a message floating In the sea from you to me Lord, that when you could see it You cried with fear The point was near Was it you that said, Pala! Pala! Pala! To the point of no return Pala! Pala! To the point of no return No return Pala! Pala! Pala! Pala! Pala! Pala! Pala! Pala! Well, the men come in these places And the men are all the same You don't look at their faces And you don't ask their names You don't think of them as human You don't think of them at all You keep your mind on the money Keeping your eyes on the walls I'm your private dancer A dancer for money I'll do what you want me to do I'm your private dancer A dancer for money And in the old music we'll do I wanna make a million dollars I wanna live by the sea Have a husband and some children Yeah, I guess I want a family All the men come in these places And the men are all the same You don't look at their faces And you don't ask their names I'm your private dancer A dancer for money I'll do what you want me to do I'm your private dancer A dancer for money And in the old music we'll do I'm your private dancer A dancer for money I'll do what you want me to do I'm your private dancer A dancer for money And in the old music we'll do Dutch lobster dollars American Express will do nicely, thank you Let me loosen up your collar Tell me, do you wanna see me do the shimmy again? Hey! I'm your private dancer A dancer for money I'll do what you want me to do I'm your private dancer A dancer for money And any old music will do I'm your private dancer A dancer for money I'll do what you want me to do I'm your private dancer A dancer for money And any old music will do I'm your private dancer A dancer for money I'll do what you want me to do His eyes are cold and restless His wounds have almost healed And she'd give half of Texas To change the way he feels She knows his love's in Tulsa And she knows he's gonna go Well, it ain't no woman, flesh and blood It's that damned old road he goes Oh, well, it's bulls and blood It's the dust and mud It's the roar of a Sunday crowd It's the white and the snug The gold and the buckle He'll win the next round It's the chaps, it's cowboy hats It's furs and latigo It's the ropes and the reins And the joy and the pain And they call the thing a road he goes She does her best to hold him When his love comes to call But his need for air controls him And her back's against the wall And it's so long, girl, I'll see you When it's time for him to go You know the woman wants her cowboy Like he wants his road he goes Oh, well, it's bulls and blood It's the dust and mud It's the roar of a Sunday crowd It's the white and the snug The gold and the buckle He'll win the next round It's the chaps, it's cowboy hats It's furs and latigo It's the ropes and the reins And the joy and the pain And they call the thing a road he goes It'll drive the cowboy crazy It'll drive the man insane And he'll sell off everything he owns Just to pay to play a game And a broken home and some broken bones Is all he'll have to show For all the years that he spent chasing This dream they call road he goes Oh, well, it's bulls and blood It's the dust and mud It's the roar of a Sunday crowd It's the white and the snug The gold and the buckle He'll win the next round It's the chaps, it's cowboy hats It's furs and latigo It's the ropes and the reins And the joy and the pain And they call the thing a road he goes It's the brawls and the blood It's the steers and the mud And they call the thing road he goes It's the brawls and the mud And they call the thing road he goes And they call the thing road he go Well it's not far down to paradise And the beast is not alone And if the wind is right you can sail away And find tranquility Oh the canvas can do miracles Just you wait and see Believe me It's not far to never never land No reason to pretend And if the wind is right you can find the joy Of innocence again Oh the canvas can do miracles Just you wait and see Believe me Sailing takes me away To where I'll go away Could it be Just a dream the wind will carry me Soon I will be free Fantasy Think it's the best of me When I'm sailing All caught up in the reverie Every word is a symphony Won't you believe me Sailing takes me away To where I'll go away Could it be Just a dream the wind will carry me Soon I will be free Well it's not far to land in sanity And the beast is not alone And if the wind is right you can sail away And find serenity Oh the canvas can do miracles Just you wait and see Believe me Sailing takes me away To where I'll go away Could it be Just a dream the wind will carry me Soon I will be free Sailing takes me away To where I'll go away Could it be Just a dream the wind will carry me Soon I will be free Sometimes the snow comes down in June Sometimes the sun goes round the moon I see the passion in your eyes Sometimes it's all a big surprise Cause there was a time when all was white There was a time when all I did was wish You'd tell me this was love It's not the way I hoped or how I planned But somehow it's enough And now we're standing face to face Isn't this world a crazy place Just when I thought our chance had passed I can't go and say the best for last All of the nights you came to me When some silly girl had set you free You wondered how you'd make it through I wondered what was wrong with you Cause how could you give your love to someone else And share your dreams with me Sometimes the very thing you're looking for Is the one thing you can't see But now we're standing face to face Isn't this world a crazy place Just when I thought our chance had passed You're gonna save the best for last La-da-da-da-da-da-da-da Sometimes the very thing you're looking for Is the one thing you can't see Sometimes the snow comes down in June Sometimes the sun goes round the moon Just when I thought our chance had passed You're gonna save the best for last You went and saved the best for last Yeah Yeah I'll say it again Giving you everything All that joy can bring This I swear Last time that we had this conversation I decided we should be friends Hey But now we're going round in circles Tell me will this déjà vu never end Oh And now you tell me that you're falling in love Well I never ever thought that would be Hey This time you gotta take it easy Throwing far too much emotions at me But any fool who's seen it falling I gotta make you understand I'm giving you everything All that joy can bring This I swear I'll give you everything All that I want from you Is I promise you We'll be there Say we'll be there I'll say we'll be there I want you saying it with me If you put two and two together You will see what our friendship is for Oh If you can work this equation Then I guess I'll have to show you the door There is no need to say you love me It would be better left unsaid I'm giving you everything All that joy can bring This I swear Yes I swear All that I want from you Is I promise you We'll be there Yes I want you La la la la la la Any fool who's seen it falling I gotta make you understand I'll give you everything All this I swear Just promise you'll always be there I'm giving you air I'm giving you everything All the joy All that joy you say Yes I swear I'm all that I want All I want from you Is your time I want you to want from me You will be there Always be there I'm giving you air I'm giving you everything All that joy All that joy you say Yes I swear I'm all that I want All I want from you Is your time I want you to want from me You will be there Always be there I'm giving you air I'm giving you everything All that joy All that joy you say Yes I swear I'm all that I want All I want from you Is your time I want you to want from me You will be there All I want from you All I want from you All I want from you Since you're gone Nights are getting straight Since you're gone Well, nothing's making sense Since you're gone I stumbled into the shade Since you're gone Everything's in perfect tense Well, I can't help it When you fall apart And I can't help it Yes, you let us start That is, getting a bad Since you're gone Since you're gone Nights are getting Since you're gone Since you're gone Thrown it all away Since you're gone Since you're gone Nights are getting Since you're gone Since you're gone Thrown it all away I can't help it Everything's a mess I can't help it You're subject to the rest When it comes To emptiness Since you're gone I can't help it Everything's a mess I can't help it You're subject to the rest Oh, where's that tenderness? Since you're gone Since you're gone A mystery sensation Since you're gone Since you're gone I took the big vacation Since you're gone Well, it never feels so great Since you're gone Well, moonlight ain't so great Since you're gone Since you're gone Since you're gone Well, I thrown it all away Since you're gone Well, the night Since you're gone It's strange I've thrown it all away Since you're gone Well, there's someone Since you're gone Since you're gone Since you're gone I've thrown it all away Since you're gone Since you're gone Well, I went down to the Grundy County auction Where I saw something I just had to have My mind told me I should proceed with the caustic But my heart said, go ahead and make a bid on that And I said, hey pretty lady, won't you give me a sign I'd give anything to make you mine, all mine I'll do your bidding and be at your beck and call Yeah, I've never seen anyone looking so fine Man, I gotta have her, she's a one of a kind I'm going once, going twice I saw another lady in the second row She's an eight, she's a nine, she's a ten, I know She's got droopy red lips, blonde hair, blue eyes And I'm about to bid my heart goodbye Well, the auctioneer was going about a mile a minute He was taking bids and calling them out loud And I guess I was really getting in it Cause I just shouted out above the crowd And I said, hey pretty lady, won't you give me a sign I'd give anything to make you mine, all mine I'll do your bidding and be at your beck and call Yeah, I've never seen anyone looking so fine Man, I gotta have her, she's a one of a kind I'm going once, going twice I saw another lady in a long black dress But she won my heart, it was no contest With her droopy red lips, blonde hair, blue eyes Well, I'm about to bid my heart goodbye Yeah, we found love on the auction block And I called her farther away Now we still love to laugh about The way we met that day when I said Hey pretty lady, won't you give me a sign I'd give anything to make you mine, all mine I'll do your bidding and be at your beck and call Yeah, I've never seen anyone looking so fine Man, I gotta have her, she's a one of a kind I'm going once, going twice I saw another lady in a second row She's an eight, she's a nine, she's a ten, I know She's got droopy red lips, blonde hair, blue eyes And I'm about to bid my heart goodbye There's a story that my daddy tells religiously Like clockwork every time he sees an opening In a conversation About the way things used to be Well, I'd just roll my eyes And make a beeline for the door But I'd always end up starry-eyed Cross-legged on the floor Hanging on to every word Man, the things I heard It was harder times and longer days Five miles to school, uphill both ways We were cane-switched rays of dirt-floor poor Of course, that was back before the war Yeah, your uncle and I made quite a pair Flying F-15s through hostile air He went down, but they missed me by a hair He'd always stop right there and say That's something to be proud of That's a life you can hang your hat on That's a chin held high until you fall down Guts up dead or just stuck out Like a small-town flag a-flyin' Or a newborn baby cryin' In the arms of the woman that you love That's something to be proud of As son would graduate in college That was Mama's dream But I was on my way to anywhere else When I turned eighteen When you got a fast car You'd think you got everything I learned quick those GTOs don't run on faith I ended up broken down in some town north of L.A. Workin' maximum hours For a minimum wage Well, I fell in love next thing I know Babies came and the car got stuck Sure do miss that old hot rod Sure save gas from foreign jobs Dad, I wonder if I ever let you down If you're ashamed of how I turned out Well, he lowered his voice Then he raised his brow Said, let me tell you right now That's something to be proud of That's a life you can hang your hat on You don't need to make a million Just be thankful to be workin' If you're doin' what you're able And puttin' food there on the table Everybody for the family that you love That's something to be proud of And if all you ever really do is the best you can Well, you did it, man That's something to be proud of That's a life you can hang your hat on That's a chin held high until it falls down Guts a bit, just a gout Like a small-town flag a-flyin' Or a newborn baby cryin' In the arms of the woman that you love That's something to be proud of That's something to be proud of That's something to be proud of That's something to be proud of That's something to be proud of ¶¶ ¶ Rode out of town on a boat to the southern isles ¶ we were making for the trade on the outside ¶ on the down and one, two copy eighteen ¶ on this evening off the wind by the marquesas ¶ we got 80 feet of water line nicely making way ¶ in a noise of boring and the line I try to call ¶ but on the midnight watch I realize why twice you ran away ¶ think about, think about how many times I have fallen ¶ spirits are using me, logic voices calling ¶ whatever brought you and me cannot be forgotten ¶ I have been around the world ¶ looking for that woman, girl ¶ who knows love can endure ¶ and you know it will ¶ you know it will ¶ when you see the southern cross for the first time ¶ you understand that's why you came this way ¶ you know the truth, you've been running from it so small ¶ but it's as big as the promise, the promise of a coming day ¶ and I'm headed all the way, my tears are dying ¶ and my love is an anchor tied to you, tied with a silver chain ¶ I have my ship and all my plans are applying ¶ I have love and a music to survey ¶ think about, think about how many times I have fallen ¶ spirits are using me, logic voices calling ¶ whatever brought you and me cannot be forgotten ¶ I have been around the world ¶ looking for that woman, girl ¶ who knows love can endure ¶ and you know it will ¶ you know it will ¶ ¶ ¶ so we cheated and we tried and we just did ¶ and we never failed to fail ¶ that was the easiest thing to do ¶ you will survive the investment ¶ but a strong comfort alone makes me forget ¶ forget about loving you ¶ and the southern cry ¶ ¶ thank you. Not only are we happy to see you all, 35,225 of you out there tonight, we appreciate this. We also are broadcasting this tonight live on radio We do all of our shows free of charge tonight. And we'll continue to do so all summer, so it's not only going out to Wisconsin and the great midwest, we're going around the world tonight, Parrothead. I wish I had a pencil pen. ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶